Daring to Look : Dorothea Lange's Photographs & Reporst from the Field

  • SPIRN THE AUTHOR
  • THEN & NOWWHAT BECAME
  • Stories FROM THE FIELD
  • 1939A PIVOTAL YEAR
  • LangeTHE PHOTOGRAPHER
Hear Dorothea Lange






On the camera as a great teacher

On where the human leaves off

On photograph as an act of love

On photographs which proceed one from the other

On the subject of poverty

On thinking “in twos”

On the "Visual Life"<

On "the words that come direct from the people"



Back to LANGE

On photographs which proceed one from the other

“The idea of running photographs which proceed one from the other, almost in inevitable sequence, so that you feel an inevitable sequence and progression, gives photography an opportunity to make a statement that isn’t just one little idea after another little idea none of which builds up to anything. Some day someone will really develop a theme, I don’t think anyone yet has developed a theme that has sentences and paragraphs and builds to a whole….That is a method of, a channel of exploration that really interests me. That isn’t strictly photojournalism, that comes closer to the literary form of essay. The camera can find its way through a chain of events, very marvelously, outer events, if you hold on to the thread, if you hold on to that thread.”

“This business of group, by likeness of association, by dissidence, by extreme opposites,…is on the way to the development of an idea or a statement of photography, and it is unique to this medium. Note, this has nothing to do with photojournalism.”

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© 2011 Anne Whiston Spirn
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